Ethnically and Culturally Inspired Music
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The Afrogressive Sound of Puerto Rico
After more than 40 years since the emergence of that musical idea cooked in the mind of Nigerian musician Fela Kuti that would later become Afrobeat—a fusion between Yoruba rhythms and American funk—the genre has seen a revival on a world scale, spreading through countries and cultures as detached from the "Africanization" as Japan or England. Afrobeat artists have taken it upon themselves to demonstrate that this relatively new musical genre transcends political and cultural barriers.
However, in Puerto Rico, a former Spanish colony, where African Yoruba roots predominate, the fertile ground for the creation of a creole style Afrobeat had never been sown… that is until now. Incorporating within them a fusion of traditional Afrobeat, classic funk, blues, boogaloo, ambient, and Afro Antillean folk rhythms such as "bomba," Bando arrives at the scene with a conceptually unique musical proposal.
Formed by eight veterans of the Puerto Rican musical scene: producers Agustín Criollo (La Iglesia Atómica, Astrid Pröll, solo artist) on bass and vocals, and Gaby Vidal (Ongo, Icaro Azul, Trili) on lead and atmospheric guitars, along with Ángel Vargas on drums and percussion, Martín Latimer (La Iglesia Atómica, Andante, Madera Negra) on rhythmic groove guitar, Rafa Rodríguez (Gomba Jahbari, Yerba Bruja, SOJA) on trumpet, flugelhorn and vocals, Jorge Mills (Skapulario, Melissa & Madre Tierra) on organ, synth and piano, Rafa Vargas (Millo Torres, Puya, Shamán) on timba and percussion, and Eddie Rodríguez (Ventana Sonora) on lead vocals, Bando epitomizes the social outcry in their lyrics, supported by a solid rhythmic base without precedent where traditional Afro-American instruments intertwine with indigenous Puerto Rican musical instruments, such as the percussion barrel and the maraca which are used in traditional "bomba" dance and music.
Bando's name surges from a historical fact that makes reference to the notorious "Bando Contra la Raza Africana" (Ban Against The African Race): a series of edicts proclaimed by the Spanish Crown in 1848 by the then governor of Puerto Rico, Juan Prim, who imposed the most absurd and cruel punishments on people of African descent, notwithstanding if they were slaves or freedmen, for fear of another "black" revolution in Puerto Rico from the sorts of the one Haiti had already experienced a couple of decades before.
However, this "Bando" is for the race, not against it, hoping to prove that all different slopes related to the African Diaspora are but rivers leading to the same ocean: the African continent.
This is only the beginning for a group which promises to be one of the most relevant artists in Puerto Rico's independent musical scene.
- Gerardo Gallegos
Music Critic
After more than 40 years since the emergence of that musical idea cooked in the mind of Nigerian musician Fela Kuti that would later become Afrobeat—a fusion between Yoruba rhythms and American funk—the genre has seen a revival on a world scale, spreading through countries and cultures as detached from the "Africanization" as Japan or England. Afrobeat artists have taken it upon themselves to demonstrate that this relatively new musical genre transcends political and cultural barriers.
However, in Puerto Rico, a former Spanish colony, where African Yoruba roots predominate, the fertile ground for the creation of a creole style Afrobeat had never been sown… that is until now. Incorporating within them a fusion of traditional Afrobeat, classic funk, blues, boogaloo, ambient, and Afro Antillean folk rhythms such as "bomba," Bando arrives at the scene with a conceptually unique musical proposal.
Formed by eight veterans of the Puerto Rican musical scene: producers Agustín Criollo (La Iglesia Atómica, Astrid Pröll, solo artist) on bass and vocals, and Gaby Vidal (Ongo, Icaro Azul, Trili) on lead and atmospheric guitars, along with Ángel Vargas on drums and percussion, Martín Latimer (La Iglesia Atómica, Andante, Madera Negra) on rhythmic groove guitar, Rafa Rodríguez (Gomba Jahbari, Yerba Bruja, SOJA) on trumpet, flugelhorn and vocals, Jorge Mills (Skapulario, Melissa & Madre Tierra) on organ, synth and piano, Rafa Vargas (Millo Torres, Puya, Shamán) on timba and percussion, and Eddie Rodríguez (Ventana Sonora) on lead vocals, Bando epitomizes the social outcry in their lyrics, supported by a solid rhythmic base without precedent where traditional Afro-American instruments intertwine with indigenous Puerto Rican musical instruments, such as the percussion barrel and the maraca which are used in traditional "bomba" dance and music.
Bando's name surges from a historical fact that makes reference to the notorious "Bando Contra la Raza Africana" (Ban Against The African Race): a series of edicts proclaimed by the Spanish Crown in 1848 by the then governor of Puerto Rico, Juan Prim, who imposed the most absurd and cruel punishments on people of African descent, notwithstanding if they were slaves or freedmen, for fear of another "black" revolution in Puerto Rico from the sorts of the one Haiti had already experienced a couple of decades before.
However, this "Bando" is for the race, not against it, hoping to prove that all different slopes related to the African Diaspora are but rivers leading to the same ocean: the African continent.
This is only the beginning for a group which promises to be one of the most relevant artists in Puerto Rico's independent musical scene.
- Gerardo Gallegos
Music Critic
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