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Award-winning, New York-based vocal virtuoso Gino Sitson is a French-American originally from the Bamiléké region of Cameroon, Central Africa. His family comes from a long line of musicians known as Ntontas ("players of horns"), and his mother is a vocalist and choir director. He and his siblings were introduced to blues, jazz, and African traditional music early in life.
Mr. Sitson is a pioneer of a new generation of multi-culturally influenced African musicians who are integrating their musical styles with their own exciting yet bewildering welter of "in-between" living experiences (north/south, tradition/modernity, 20th/21st century). His daring musical project combines in a most innovative way jazz, gospel, blues, and traditional African polyphonies, polyrhythms, and melodies. By freely combining his trademark vocal acrobatics with a breathtakingly creative command of oral and body percussions and miscellaneous effects, Mr. Sitson forged an eloquent vocabulary capable of communicating far beyond any limits of language or custom. Through his vocal wizardry, he stunningly creates an endless range of sounds and atmospheres. Sitson's seamless four-octave range travels from a soulful, resonantly masculine tenor with woodwind-like overtones to a high-soaring, nearly genderless spiritual wail, a feat that recalls Brazil's Milton Nascimento, another deep-rooted yet restlessly protean, jazz-inflected shape-changer.
Gino Sitson's four-octave vocal range, plus his skills as a composer and arranger, put him in high demand for recording sessions and for commercials and radio/television jingles (Danone, Dim, Peugeot, Vahiné, etc.). The versatile young vocalist performed in a musical and co-composed part of the music (Jeanne et le Garçon Formidable).
He has laid down tracks or shared the stage with Manu Dibango, Ron Carter, Papa Wemba, Wally Badarou, John Scofield, Geri Allen, David Gilmore, Haruko Nara, Bobby McFerrin, Frank Wess, Ray Lema, Craig Harris, James Hurt, Antoine Roney, John William, Mario Canonge, Wallace Roney, Brice Wassy, Oliver N'Goma, Exile One, Steve Potts, So Why? (featuring Youssou N'Dour, Papa Wemba, Wally Badarou, Jabu Khanyile & Bayete, Lourdes Van-Dunem, and Lucky Dube) and La Compagnie Créole, among others.
In 2008, Mr. Sitson was invited by Bobby McFerrin to join him on a PBS documentary ("The Music Instinct: Science & Song"), to take part in a special project that took place at Carnegie Hall ("Instant Opera"). A member of Chamber Music America, he is regularly engaged for movie scores and commercials. He has appeared several times on TV and also composed music for the noted children's TV show, Dora the Explorer (Nickelodeon). Since 2006, Mr. Sitson is a Cultural Arts ambassador for the city of Miami (Florida).
Meanwhile, his international career continues apace. He has received the "Parents' Choice Silver Medal Honor Award" in 2004 and was nominated for the RFI Awards 2000 (Finalist "Découvertes RFI" 2000). His recent output includes soundtracks to Betrayal (Kevin Ngooh), Blue Lotus (Dayo Ayodele), and Koming from Afrika (Blaise-Christian Sitchet); jingles for France Télévision and France 3. Mr. Sitson performed at Carnegie Hall with his own group in 2008.
Aside from musical performances, Gino leads vocal workshops served by his amazing vocal technique, his musical knowledge, and his desire to share his love for vocal explorations. Gino has developed workshops for professional as well as non-professional singers, and also for children. A researcher in musicology, his work focuses on music cognition, expressive properties of the voice, and the process of transmitting music from the "black" diaspora. Among them, he is particularly interested in Gwoka music from Guadeloupe. Mr. Sitson is currently completing a Ph.D. in musicology at Paris-Sorbonne University. He has just been appointed as UNICEF Cameroon Goodwill Ambassador.
PROFESSIONAL AFFILIATIONS
American Society for Ethnomusicology
American Musicological Society
ASCAP
Caribbean Studies Association
Chamber Music America
EthnomusiKa
IReMus / CNRS
SACEM
Society for Music Perception and Cognition
Société française d’analyse musicale
Société française d’ethnomusicologie
www.ginositson.com
Mr. Sitson is a pioneer of a new generation of multi-culturally influenced African musicians who are integrating their musical styles with their own exciting yet bewildering welter of "in-between" living experiences (north/south, tradition/modernity, 20th/21st century). His daring musical project combines in a most innovative way jazz, gospel, blues, and traditional African polyphonies, polyrhythms, and melodies. By freely combining his trademark vocal acrobatics with a breathtakingly creative command of oral and body percussions and miscellaneous effects, Mr. Sitson forged an eloquent vocabulary capable of communicating far beyond any limits of language or custom. Through his vocal wizardry, he stunningly creates an endless range of sounds and atmospheres. Sitson's seamless four-octave range travels from a soulful, resonantly masculine tenor with woodwind-like overtones to a high-soaring, nearly genderless spiritual wail, a feat that recalls Brazil's Milton Nascimento, another deep-rooted yet restlessly protean, jazz-inflected shape-changer.
Gino Sitson's four-octave vocal range, plus his skills as a composer and arranger, put him in high demand for recording sessions and for commercials and radio/television jingles (Danone, Dim, Peugeot, Vahiné, etc.). The versatile young vocalist performed in a musical and co-composed part of the music (Jeanne et le Garçon Formidable).
He has laid down tracks or shared the stage with Manu Dibango, Ron Carter, Papa Wemba, Wally Badarou, John Scofield, Geri Allen, David Gilmore, Haruko Nara, Bobby McFerrin, Frank Wess, Ray Lema, Craig Harris, James Hurt, Antoine Roney, John William, Mario Canonge, Wallace Roney, Brice Wassy, Oliver N'Goma, Exile One, Steve Potts, So Why? (featuring Youssou N'Dour, Papa Wemba, Wally Badarou, Jabu Khanyile & Bayete, Lourdes Van-Dunem, and Lucky Dube) and La Compagnie Créole, among others.
In 2008, Mr. Sitson was invited by Bobby McFerrin to join him on a PBS documentary ("The Music Instinct: Science & Song"), to take part in a special project that took place at Carnegie Hall ("Instant Opera"). A member of Chamber Music America, he is regularly engaged for movie scores and commercials. He has appeared several times on TV and also composed music for the noted children's TV show, Dora the Explorer (Nickelodeon). Since 2006, Mr. Sitson is a Cultural Arts ambassador for the city of Miami (Florida).
Meanwhile, his international career continues apace. He has received the "Parents' Choice Silver Medal Honor Award" in 2004 and was nominated for the RFI Awards 2000 (Finalist "Découvertes RFI" 2000). His recent output includes soundtracks to Betrayal (Kevin Ngooh), Blue Lotus (Dayo Ayodele), and Koming from Afrika (Blaise-Christian Sitchet); jingles for France Télévision and France 3. Mr. Sitson performed at Carnegie Hall with his own group in 2008.
Aside from musical performances, Gino leads vocal workshops served by his amazing vocal technique, his musical knowledge, and his desire to share his love for vocal explorations. Gino has developed workshops for professional as well as non-professional singers, and also for children. A researcher in musicology, his work focuses on music cognition, expressive properties of the voice, and the process of transmitting music from the "black" diaspora. Among them, he is particularly interested in Gwoka music from Guadeloupe. Mr. Sitson is currently completing a Ph.D. in musicology at Paris-Sorbonne University. He has just been appointed as UNICEF Cameroon Goodwill Ambassador.
PROFESSIONAL AFFILIATIONS
American Society for Ethnomusicology
American Musicological Society
ASCAP
Caribbean Studies Association
Chamber Music America
EthnomusiKa
IReMus / CNRS
SACEM
Society for Music Perception and Cognition
Société française d’analyse musicale
Société française d’ethnomusicologie
www.ginositson.com
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