In my compositions for vocal ensembles and choirs, each time, I hope to achieve that the words are at the source of a "new world," to create an imaginary language if the subject invites me to, while being attentive to the question: who will it be addressed to? Children, young people, adults, amateurs, professionals, women, men, or mixed choir. The approach of a foreign language that I like to try for its unique sonorities is always done with a person mastering it and being sufficiently musical to note the tones and rhythms.