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If one carefully observes her CV describing her long career, one immediately understands that music has always been deeply related to her life. The continuity thread through all her research work is passion, and an unfading desire to discover any new minute subtlety contained in each sound.
And so, through this approach, she has at length developed a meticulous and passionate research body, relentlessly deepening into the study of several instruments and the human voice. She started with the saxophone when very young and has studied even to exaggeration the baritone techniques. She then progressed towards the cello and accordion in her evolution as a composer.
She then expanded her fields - devoting herself to several clarinets, Caribbean steel drums, and a whole series of ethnic instruments that bestow life into her “Peoples’ Legends, Instruments and Voices” performance - narrating the story of Grung, a migratory bird from the Armenian tradition.
Her studies of the natural voice emissions took her to research original texts in several different languages for her performances. She investigated each sound. In this way, she has started to sing in Armenian, Mongol, Inuit, Persian, Sephardic, Hungarian, Norwegian, Romani languages without forgetting French, German, Spanish, or English. As Claudia Bombardella says: “… inside the sounds of each language lie the secrets of all people ….”
Simultaneous to her research work, Claudia ardently develops her capacities as a composer – non-stop, she brings to life many original melodies and arranges pieces for musicians collaborating with her. Though many of her works are still unpublished, she has recorded 8 CDs, which have received recognition and important referrals in Italian and international magazines. Her musical formations and projects are showcased in Italy and relevant European music festivals. She achieved the 2008 Teresa Viarengo Award for artists devoted to traditional and ethnic music.
Since 10 years ago, she has been intensely devoted to her project “Vocals and Creativity,” imparting seminars in Italy, France, the Czech Republic, Germany, and Spain. This is a research considering human beings from the point of view of psychoenergetics, and it involves a clear-sighted immersion in sounds. Consciousness is activated and grows, ever subtler, as one’s own potential for vibration and resonance develops. This path also leads to access our innermost and most remote zones - and will enable us to enter the world of tensions/distensions, harmonies/disharmonies within our whole being.
And so, through this approach, she has at length developed a meticulous and passionate research body, relentlessly deepening into the study of several instruments and the human voice. She started with the saxophone when very young and has studied even to exaggeration the baritone techniques. She then progressed towards the cello and accordion in her evolution as a composer.
She then expanded her fields - devoting herself to several clarinets, Caribbean steel drums, and a whole series of ethnic instruments that bestow life into her “Peoples’ Legends, Instruments and Voices” performance - narrating the story of Grung, a migratory bird from the Armenian tradition.
Her studies of the natural voice emissions took her to research original texts in several different languages for her performances. She investigated each sound. In this way, she has started to sing in Armenian, Mongol, Inuit, Persian, Sephardic, Hungarian, Norwegian, Romani languages without forgetting French, German, Spanish, or English. As Claudia Bombardella says: “… inside the sounds of each language lie the secrets of all people ….”
Simultaneous to her research work, Claudia ardently develops her capacities as a composer – non-stop, she brings to life many original melodies and arranges pieces for musicians collaborating with her. Though many of her works are still unpublished, she has recorded 8 CDs, which have received recognition and important referrals in Italian and international magazines. Her musical formations and projects are showcased in Italy and relevant European music festivals. She achieved the 2008 Teresa Viarengo Award for artists devoted to traditional and ethnic music.
Since 10 years ago, she has been intensely devoted to her project “Vocals and Creativity,” imparting seminars in Italy, France, the Czech Republic, Germany, and Spain. This is a research considering human beings from the point of view of psychoenergetics, and it involves a clear-sighted immersion in sounds. Consciousness is activated and grows, ever subtler, as one’s own potential for vibration and resonance develops. This path also leads to access our innermost and most remote zones - and will enable us to enter the world of tensions/distensions, harmonies/disharmonies within our whole being.
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