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Herbert de Miranda:
Composer, arranger, bass player, and singer. Musician of various backgrounds (Brazil, Angola, Mozambique, Portugal), his style fuses all these influences, which makes for different experiences around jazz fusion, bossa-jazz, and jazz-pop, which he presents in several projects.
In love with the electric bass since his childhood in Mozambique, he discovered the rhythm and percussion from Southeast Africa. Professional since 1985, mainly playing funk and fusion, which led him to discover jazz, music hall, cabaret, big bands, and ethno-fusion.
As a composer, his classical and modern education gave him a colored style of today with flavors from the past.
With some recorded releases, he also visited festivals and international booking events.
About the concert:
Herbert de Miranda offers a selection of original songs and special covers recreated in bossa/funk and jazz-pop.
Rhythm and colors brought from the African roots through the Atlantic expansion with a presence of Brazilian beats.
Getting away from all that is standard, it creates complete complicity with the musicians in a free speech of unforgettable moments of improvisation.
Composer, arranger, bass player, and singer. Musician of various backgrounds (Brazil, Angola, Mozambique, Portugal), his style fuses all these influences, which makes for different experiences around jazz fusion, bossa-jazz, and jazz-pop, which he presents in several projects.
In love with the electric bass since his childhood in Mozambique, he discovered the rhythm and percussion from Southeast Africa. Professional since 1985, mainly playing funk and fusion, which led him to discover jazz, music hall, cabaret, big bands, and ethno-fusion.
As a composer, his classical and modern education gave him a colored style of today with flavors from the past.
With some recorded releases, he also visited festivals and international booking events.
About the concert:
Herbert de Miranda offers a selection of original songs and special covers recreated in bossa/funk and jazz-pop.
Rhythm and colors brought from the African roots through the Atlantic expansion with a presence of Brazilian beats.
Getting away from all that is standard, it creates complete complicity with the musicians in a free speech of unforgettable moments of improvisation.
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