A Platform for Ethnically and Culturally Inspired Music
ABOUT
KROKE (which is Yiddish for Krakow) was formed in 1992 by three friends: Tomasz Kukurba, Jerzy Bawoł, and Tomasz Lato. As graduates of the Academy of Music in Krakow, but also as artists in search, they did not abstain from experimenting with jazz and contemporary music. The band, initially associated with Klezmer music, currently oscillates around various genres. The artists take inspiration from ethnic music from around the world; they do, however, always enrich their works with their own improvisations. This way, KROKE creates its own unique style which floats across borders, forms, and time.

KROKE is also one of the first bands to take their music to the public. The musicians could be found on the streets and in the clubs of Krakow's Kazimierz district, once the Jewish part of the city. The musical compositions they played, completely unknown to some, in others woke up memories of a world that has been long forgotten. It was there when you could first hear the songs that appeared in 1993 on the band's first music cassette issued at their own expense.

One day, Kate Capshaw, wife of Steven Spielberg, who was then making his picture Schindler's List in Krakow, arrived at the 'Ariel' restaurant, at which the band often performed. One night she took her husband to a concert. The director quickly recognized KROKE's talent and invited the band to Jerusalem to perform at the Survivors Reunion ceremony organized for the survivors of Oskar Schindler's list. Since this remarkable moment, everything became more profound... That's when the band really began to exist. "We were given some kind of a musical blessing from these people, some of whom were klezmorim," mention the musicians.

But it was just the beginning of a great adventure. Spielberg sent KROKE's cassette to Peter Gabriel, who invited the band in 1997 to the United Kingdom to take part in the WOMAD Festival. The audience gave a rousing welcome both to the performance and the band's debut album Trio. This meeting also resulted in joint recording sessions at Real World Studios. Parts of the recordings were later used by Peter Gabriel on the Long Walk Home album, which was a soundtrack for the movie Rabbit-Proof Fence.

In 1997, the second album – Eden – was released. This time, traditional klezmer motifs combined with modern musical sensitivity gained a new and more intense color. Since then, KROKE more and more willingly reached for Sephardic and Arabic patterns, not cutting off, however, from traditional klezmer origins. The result of these searches was the Sounds Of The Vanishing World album – an atmospheric testimony of KROKE's evolution and musicians' ability to create their own style. As proof of the rightness of the band members' music decisions, KROKE was honored with the prestigious Preis der Deutsche Schallplattenkritik award in the year 2000.

In the summer of 2001, during performances in Cornwall, the first meeting of KROKE and Nigel Kennedy took place. The artist demonstrated immediate readiness to cooperate, which resulted in recording a joint album – East Meets East – in 2003. KROKE was also nominated for a BBC Radio 3 award in the 'World Music' category, and the cooperation with Nigel Kennedy evolved into a series of acclaimed concerts during European festivals. At that time, another original album was released – Ten Pieces To Save The World. This melodic and atmospheric album was ranked second in the European World Music Charts and was the culmination of 10 years of the band. In 2004, another concert album was released – Quartet – Live At Home – which was recorded at Radio Kraków 'S-5' recording studio with the participation of jazz drummer Tomasz Grochot, who for the next few years performed with the band.

A year later, the band began cooperation with Edyta Geppert and Krzysztof Herdzin working on a new project, which was completed with the Śpiewam życie album. The release went gold, and the band toured simultaneously in Poland and Germany with the 'KROKE – symfonicznie' program jointly with the Sinfonia Baltica orchestra directed by Bohdan Jarmołowicz.

In 2006, The Secrets of The Life Tree piece performed by KROKE featured on the soundtrack of David Lynch's movie Inland Empire, and a year later, on the band's 15th anniversary, KROKE released another studio album – Seventh Trip – an energetic journey through oriental music trails. The whole next year of activity was filled with a series of concerts in Poland and abroad as well as with the work on an intimate project arranged by Krzysztof Herdzin. The premiere of this venture – with the participation of the Sinfónica de Burgos orchestra – took place in Spain. Further editions resounded in Krakow and Saint Petersburg with the participation of the Sinfonietta Cracovia orchestra directed by Robert Kabara, which gave the project its unique tone of classical and contemporary music blend.

The year 2009 was another breakthrough and turning point in KROKE's artistic path. The band more and more often performed as a trio, without drums, making the concerts more intimate, and the music gained a long unheard Ashkenazi and Balkan tone. Janusz Makuch, the director of the Jewish Culture Festival in Krakow, called it 'a return to the roots', and the band documented their search with the Out of Sight album, on which energetic tracks drawing from klezmer tradition coexist with compositions from the borderline of the jazz genre and atmospheric vocalises by Tomasz Kukurba.

In 2010, the band toured together with the Norwegian band Tindra and Spanish violinist Diego Galaz. They also performed at the Polish Weekend in Southbank Centre in London alongside Nigel Kennedy. In January 2011, KROKE, joined by Maja Sikorowska (vocals) and Sławek Berny (percussion instruments), recorded twelve Greek songs filled with emotions and impressions. The result of this work was releasing an excellent album – Avra.

The years 2010 to 2012 were marked by tour collaboration with the Mongolian vocalist Urna Chahar-Tugchi and Krzysztof Herdzin, as well as with Anna Maria Jopek, who featured with the Sinfonietta Cracovia orchestra on a gold record awarded album, 'Feelharmony'.

In 2014, the 'Ten' album was released and instantly achieved gold record status and was nominated for the Fryderyki 2015 award. Collaboration with Anna Maria Jopek has blossomed. The artists recorded the 'Psalmia' piece, which was released on the aforementioned album. They jointly toured with their project, both in Poland and internationally.

A year later, an unusual project developed. 'Kabaret Śmierci' ('Cabaret of Death') is the result of cooperation with Polish film director Andrzej Celiński on his work on the subject of protagonists of culture and entertainment in Nazi concentration camps. However, it's not a soundtrack album. The group reworked the score in a new arrangement, added new pieces, and recorded the whole thing once again, creating a reflective suite.

The year 2016 resulted in two releases - the reissue of the 'Ten' album (complemented with two new tracks - 'Mizerna Cicha' and 'Z narodzenia Pana' Christmas carols) and a special Christmas-themed Box.

2017 is, above all else, the celebration of KROKE's 25th Anniversary and the introduction of the new 'Traveller' album, which was released in March. As the musicians say: "KROKE is a traveler who for 25 years not only enjoys excursions but also learns a lesson from them and strives to share it with others." So, welcome to the travel around KROKE's quarter-century's experience of musical space through listening to our new 'Traveller' album.