Original Pairs Delve into Desire and Reflection on Album Surface Tension, Anchored by the Introspective Track “Curiosity”

Toronto-based rock ensemble Original Pairs return with Surface Tension, their fourth studio album and a potent exploration of personal longing, existential dread, and the human condition. Anchored by Andrew Frontini’s resonant baritone, the album spans ten musical parables set against twangy, reverb-drenched guitars, bluesy organ textures, and deep retro synth stylings from keyboardist Jon Loewen. Buttressed by Lynda Kraar’s melodic bass and Lisa Logan’s precise, orchestral drumming, Surface Tension balances haunting reverie with savage rock energy, mining the depths of a life lived in rock‘n’roll purgatory.

“Surface Tension taught us to experiment and improvise. To lean into our musical backgrounds, drawing upon a lifetime of playing and listening to music,” says Frontini. “It’s always intense, trying to get a lot done in a very compressed time period. The whole album was recorded, including overdubs in five days.” The album’s themes invite listeners to embrace life’s anxieties, fears, and doubts, breaking through the “surface tension” of everyday existence into greater understanding.

Listen to Surface Tension featuring the focus track, “Curiosity,” HERE: https://open.spotify.com/album/2jX12Yuyduq4yLn4dTX6HW?si=1&nd=1&dlsi=87e16cff4e924c86

At the heart of the album is “Curiosity,” a dark and moody track inspired by the perils and powers of the imagination. Frontini describes it as “a cautionary tale about the dangers of curiosity – art’s catalyst that can make you crazy.” A period of daydreaming and obsessive self-reflection fueled the song, and the resulting composition captures the tension of a mind teetering between fantasy and reality.

The recording process highlights Original Pairs’ commitment to organic, live-off-the-floor performance. “We never use click tracks and we don’t cut and paste,” explains Frontini. “We aim for a live performance with the maximum of emotional intensity that it brings. It’s never perfect but always real.”

The song’s final climax features a layered interplay of guitars, Rhodes piano, Moog synth, and driving drum fills, building to a dramatic, chaotic peak that mirrors the narrative of obsession and inner turmoil. Producer John Dinsmore’s final mix emphasized the dramatic arc from ponderous and wistful to anxiety-fueled freak out.