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Hanz Araki
United States
Influences: West European , North American
Genres: irish, celtic, acoustic
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The path of a musician is often unpredictable. One wouldn’t imagine that six generations of mastery of the Japanese shakuhachi would lead to a career in Celtic music, however that is exactly how it played out for accomplished flute player and traditional singer Hanz Araki. The son of Irish and Japanese parents guaranteed a household with a broad spectrum of musical influences.

His maternal grandmother, born in Clare, traveled with her mother (Mary Gallagher, also a Clare woman) across the Atlantic, landing first in Canada and making a second long journey across North America before arriving in Seattle, WA. There, she was joined by her husband Samuel (from Achill Isl. Co. Mayo) who had stayed behind to finish his post in the Irish Coast Guard. His maternal grandfather’s family are Campbells who settled in the hills of Jackson Co., NC. from Co. Tyrone in the late-18th century after having been displaced from Glasgow, Scotland decades before.

Hanz’s father is shakuhachi grandmaster Tatsuya Kodo Araki, the fifth generation to inherit the name Kodo, one of the most important names in the world of traditional Japanese music. “Hanz” is short for “Hanzaburo,” the name of his great-great grandfather who developed the notation used in shakuhachi music even to this day.

In April of 1988, Hanz began his apprenticeship with his father, to make his professional debut in August of that same year. Colleagues of his father likened Hanz’s playing to Kodo IV, despite the two never having met. Hanz continued studying under his father, and taught at his father’s alma mater (the prestigious Keio University in Tokyo), as well as making concert appearances throughout Japan. In 2009, in a private ceremony in Tokyo, the title of Kodo VI was conferred on Hanz as is customary in the tradition.

Upon returning to his hometown of Seattle in 1992, Araki and a group of close friends with a shared love of Irish and Scottish music started a band called The Whyos. The discipline, techniques, and mechanics he learned on the shakuhachi translated very well to the penny whistle and the Irish flute. Seattle being home to respected stalwarts like uilleann piper Tom Creegan and fiddler Dale Russ gave Hanz no shortage of guidance in his exploration of traditional Irish music. Celtic music became a single-minded focus, turning songs and tunes of Scotland, Ireland, and England into a second language. His uncanny grasp of Celtic music, both instrumental and vocal, quickly led to opportunities for touring across the United States and Canada, the UK, Spain, Mexico, Brazil, and an annual tour of Japan.

In a career spanning twenty-five years, Araki, now a resident of Portland, Oregon, amassed an impressive body of award-winning Celtic music albums, including a series of seasonally-themed albums released in 2012 with fiddle and guitar player and vocalist Kathryn Claire. A project to collect, remix, and remaster recordings of his father, grandfather, and great-grandfather is also currently in production in Japan.

Festival appearances include the Austin Celtic Festival, the Maine Celtic Celebration, the Missoula Celtic Festival, KVMR Grass Valley Celtic Festival, Milwaukee Irish Festival, Bumbershoot, Celtic Connections, and over 20 years of performances at the Northwest Folklife Festival. Hanz has also been invited to perform with the Seattle Symphony, at the Gates Estate, and for the Japanese Consul General.

アイリッシュ・フルート奏者、ハンズ・アラキは生粋の「ワールドミュージック」ミュージシャンといえる。これまでに参加したグループ、ペイパーボーズ(Paperboys)では、アメリカのグラミー賞に匹敵する、カナダのジュノー賞を受賞。ほかにもフィドル・デュオのブライディーズ(The Bridies)、ポートランド出身の、ポーグス(Pogues)のカバーバンド、K.M.R.I.Aなどと世界中で演奏活動をおこなった。シアトル交響楽団、ワシントン大学ウィンド・アンサンブルとも共演、多くのレコーディングをおこない、劇場映画からビデオゲームのサウンドトラックまで、幅広い活動が注目される。


「彼の音楽は演奏の間中、私をどこか別世界へと連れていってくれる。ハンズ・アラキはアイリッシュ・フルートの現代の卓越した奏者であり、毎回の演奏にどこか違うところがあって、何度聴いても飽きることがない」(ノーム・ジョンソン シアトル地区コンサート・プロモーター)

彼の愛情はアイリッシュ・ミュージックに注がれている一方、深いところには、日本の伝統的な、禅フルートともいえる尺八がある。ハンズ(本名半三郎の略)は、2008年に父親のあとを継ぎ、琴古流尺八の、六代目荒木古童となった。子どもの頃に訓練を受けたわけではなく、17 歳で初めて尺八に触れた。父(現・荒木竹翁)の指導のもと、4か月後には山口県下関市で尺八演奏のデビューを果たした。慶応大学「竹の会」で尺八を二年間教えた後、1991年に故郷のシアトルに戻ってきた。






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