A Platform for Ethnically and Culturally Inspired Music
ABOUT
G’Ny has brewed her Liberté (freedom in French Creole) for years. After having experienced live performances and amazing collaborations, G’Ny now takes up without a safety net and reveals herself trickless and confident about new content that makes you vibrate, dream, think, and even love. With G’Ny, freedom is found at any level – whether it be in the themes brought in the lyrics she wrote, implicitly in her very personal creative choices, or in the building process of this album demonstrating the will of a free spirit.
Liberté is the completion of a dreamer facing up to reality. The little girl who grew up in a feminine environment where people stick together, don't mind the superfluous, and don't look for distractions for they create them themselves. Her reverie stays with her alongside her slow blossoming process through which she feeds from dance, music, singing, and the people she meets on the road. She can feel it; freedom is there, at the end of the path. There, things can be said. Things that matter. “Everyday life is too constraining, you have to present with emotion and let the rest go,” she says.
Not an acrobat, nor a hothead, G’Ny is a builder and somehow a seeker as well. Her field of expertise? Truth, her own one. Her attack strategy? An Afro-Caribbean groove she represents as a genuine diva. She endlessly works on this sensitive cord allowing her to transmit lifeline and awareness. In Liberté, sounds blended with percussion – among which are ka drum, congas, or cajón – electro, zouk, or RnB beats. All express the ground heat and the blossoming of a rare flower in the rising sun. Rare, but not ephemeral. G’Ny carries a structural joy, like a talisman against curses. Deep inside, music and dance consolidate a groove that can either be chanted or romantic but always positive, throbbing, and militant. Proud of her island, she stands as its metaphorical figure incarnating strong femininity mixing inner nature, Caribbean tradition, power, and world influence.
About Guadeloupe, she only claims one certainty – “You can never be as free as when you are deeply rooted.” It is by forgetting herself that she becomes free to perform. The stage has been calling her ever since she tasted it in the musical Rue Zabym. G’Ny knows there is a world you can sometimes touch on nights of grace, nights of chance. Willing to experience it again, she tries to recreate that world she foresees – a world of pure expression that has to be lived and can barely be taught in words. If Liberté is the fruit, the stage will be the sunshine.
Liberté is the completion of a dreamer facing up to reality. The little girl who grew up in a feminine environment where people stick together, don't mind the superfluous, and don't look for distractions for they create them themselves. Her reverie stays with her alongside her slow blossoming process through which she feeds from dance, music, singing, and the people she meets on the road. She can feel it; freedom is there, at the end of the path. There, things can be said. Things that matter. “Everyday life is too constraining, you have to present with emotion and let the rest go,” she says.
Not an acrobat, nor a hothead, G’Ny is a builder and somehow a seeker as well. Her field of expertise? Truth, her own one. Her attack strategy? An Afro-Caribbean groove she represents as a genuine diva. She endlessly works on this sensitive cord allowing her to transmit lifeline and awareness. In Liberté, sounds blended with percussion – among which are ka drum, congas, or cajón – electro, zouk, or RnB beats. All express the ground heat and the blossoming of a rare flower in the rising sun. Rare, but not ephemeral. G’Ny carries a structural joy, like a talisman against curses. Deep inside, music and dance consolidate a groove that can either be chanted or romantic but always positive, throbbing, and militant. Proud of her island, she stands as its metaphorical figure incarnating strong femininity mixing inner nature, Caribbean tradition, power, and world influence.
About Guadeloupe, she only claims one certainty – “You can never be as free as when you are deeply rooted.” It is by forgetting herself that she becomes free to perform. The stage has been calling her ever since she tasted it in the musical Rue Zabym. G’Ny knows there is a world you can sometimes touch on nights of grace, nights of chance. Willing to experience it again, she tries to recreate that world she foresees – a world of pure expression that has to be lived and can barely be taught in words. If Liberté is the fruit, the stage will be the sunshine.
